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类型【址:a g 9 559⒐ v i p】1:吴宗琴 大小:XizMxIem37273KB 下载:gHq30ZRi76663次
版本:v57705 系统:Android3.8.x以上 好评:bX57QxaH49531条
日期:2020-08-07 11:36:41

1.【址:a g 9 559⒐ v i p】1  Mephistopheles
2.  Faust
3.  (Mephistopheles enters)
4.  Of what use is the sieve?
5.  The greatest and most representative expression of Goethe's powers iswithout doubt to be found in his drama of "Faust"; but before dealing withGoethe's masterpiece, it is worth while to say something of the history of thestory on which it is founded - the most famous instance of the old andwidespread legend of the man who sold his soul to the devil. The historicalDr. Faust seems to have been a self-called philosopher who traveled aboutGermany in the first half of the sixteenth century, making money by thepractise of magic, fortune-telling, and pretended cures. He died mysteriouslyabout 1540, and a legend soon sprang up that the devil, by whose aid hewrought his wonders, had finally carried him off. In 1587 a life of himappeared, in which are attributed to him many marvelous exploits and inwhich he is held up as an awful warning against the excessive desire forsecular learning and admiration for antique beauty which characterized thehumanist movement of the time. In this aspect the Faust legend is anexpression of early popular Protestantism, and of its antagonism to thescientific and classical tendencies of the Renaissance.While a succession of Faust books were appearing in Germany, the originallife was translated into English and dramatized by Marlowe. English playersbrought Marlowe's work back to Germany, where it was copied by Germanactors, degenerated into spectacular farce, and finally into a puppet show.Through this puppet show Goethe made acquaintance with the legend.By the time that Goethe was twenty, the Faust legend had fascinated hisimagination; for three years before he went to Weimar he had been workingon scattered scenes and bits of dialogue; and though he suspended actualcomposition on it during three distinct periods, it was always to resume, andhe closed his labors upon it only with his life. Thus the period of time betweenhis first experiments and the final touches is more than sixty years. During thisperiod the plans for the structure and the signification of the work inevitablyunderwent profound modifications, and these have naturally affected the unityof the result; but, on the other hand, this long companionship and persistentrecurrence to the task from youth to old age have made it in a unique way therecord of Goethe's personality in all its richness and diversity.The drama was given to the public first as a fragment in 1790; then thecompleted First Part appeared in 1808; and finally the Second Part waspublished in 1833, the year after the author's death. Writing in "Dichtung undWahrheit" of the period about 1770, when he was in Strasburg with Herder,Goethe says, "The significant puppet - play legend . . . echoed and buzzed inmany tones within me. I too had drifted about in all knowledge, and earlyenough had been brought to feel the vanity of it. I too had made all sorts ofexperiments in life, and had always come back more unsatisfied and moretormented. I was now carrying these things, like many others, about with meand delighting myself with them in lonely hours, but without writing anythingdown." Without going into the details of the experience which underlies thesewords, we can see the beginning of that sympathy with the hero of the oldstory that was the basis of its fascination and that accounted for Goethe'sdeparture from the traditional catastrophe of Faust's damnation.Hungarian March from the "Damnation of Faust"Op.24 by HectorBerlioz(1803 - 1869).
6.  To play the spy diverts you then?


1.  Ci - devant Genius of the Age
2.  Artisans
3.  So men, forsooth, he thinks to imitate! Now, in the devil's name, for once gostraight! Or out at once your flickering life I'll blow.Ignis Fatuus
4.  Margaret (at the window)
5.  Your learned reverence humbly I salute! You've made me swelter in a prettystyle.
6.  A Student enters


1.  Faust
2.  Evening - A Small And Neat Room
3.  Then thou dost not believe?
4.  Mephistopheles
5.   Faust
6.  The Other Half


1.  Faust (as above)
2.  Mephistopheles
3.  Brander
4、  Student
5、  Champagne's the wine for me; Right brisk, and sparkling let it be!(Mephistopheles bores; one of the party has in the meantime prepared thewax - stoppers and stopped the holes.)




  • 詹姆斯·布拉德利 08-06


  • 沃兹尼亚克 08-06

      Give a good glass, and straight we'll praise you, one and all. Only let not yoursamples be too small; For if my judgment you desire, Certes, an amplemouthful I require.

  • 马魏 08-06

       And clust'ring grapes too, close at hand!

  • 蒙特雷 08-06

      Suppose there did! One must not be too nice. 'Twas well it was not grey, letthat suffice. Who 'mid his pleasures for a trifle cares?Faust

  • 沃尔特·基普 08-05

    {  I'm near her still - and should I distant rove, Her I can ne'er forget, ne'er loseher love; And all things touch'd by those sweet lips of hers, Even the veryHost, my envy stirs.

  • 加特林 08-04

      Brother! what agonizing pain!}

  • 孔小雨 08-04

      I loathe alike their form and features!

  • 卢林嘉 08-04

      Go, you'll laugh at me!

  • 陈和志 08-03

       Ye twain, in trouble and distress True friends whom I so oft have found, Say,for our scheme on German ground, What prospect have we of success? Fainwould I please the public, win their thanks; They live and let live, hence it isbut meet. The posts are now erected, and the planks, And all look forward toa festal treat. Their places taken, they, with eyebrows rais'd, Sit patiently, andfain would be amaz'd. I know the art to hit the public taste, Yet ne'er of failurefelt so keen a dread; True, they are not accustomed to the best, But thenappalling the amount they've read. How make our entertainment striking, new,And yet significant and pleasing too? For to be plain, I love to see the throng,As to our booth the living tide progresses; As wave on wave successive rollsalong, And through heaven's narrow portal forceful presses; Still in broaddaylight, ere the clock strikes four, With blows their way towards the boxthey take; And, as for bread in famine, at the baker's door, For tickets arecontent their necks to break. Such various minds the bard alone can sway,My friend, oh work this miracle to - day!

  • 卓灵 08-01

    {  Not I! restraints of all kinds I detest. Quick! let us catch the wild - game ere itflies, The hand on Saturday the mop that plies, Will on the Sunday fondle youthe best.

  • 曾子健 08-01

      Protophantasmist, Servibilis, Monkeys, Spirits,Journeymen,